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  1. piñatas and the permanence of memory
  2. the intersection between the street, resistance, and collective memory: grupo suma
  3. sanctuaries of tenderness
  4. these are bones and we imagine and remember their bodies



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LA VERDAD NO SE BORRA NI SE OLVIDA

experience 

Docent at the Meridian Arts Centre

encouraged discussion, public guiding, helped with installation and provided tours of the following exhibitions:

Nathan E. Carson’s exhibition Cut From the Same Cloth.
2021
Victoria Mata with Cacao Collective’s Machete: an excerpt installation from Cacao/A Venezuelan Lament.
2022

Curatorial Assistant at John B. Aird Gallery

2022

curated exhibitions

co-curator, Synergy. 205 Richmond St. Toronto, ON. 2022
curator, Sanctuaries of Tenderness. Ada Slaight Gallery. Toronto, ON. 2023
co-curator, Fullness of Time. Remote Gallery, Toronto ON. & TAP Centre for Creativity, London, ON. 2024

awards

Nora E. Vaughan Award

OCAD U. 2024

Criticism & Curatorial Practice Medal Winner

OCAD U. 2024

Critical Distance Centre for Curators

Exhibition Essay Commission Career Launcher. 2024


 publications


 2024 The Arts & Science Review. The Intersection between the Street, Resistance, and Memory.
2024 Critical Distance. Piñatas and the Permanence of Memory
2025 C Magazine. standing in front of the hurricane and gently pushing it away without my hands. C161—Autumn 2025 STOP! 


education

OCAD University

Toronto, ON. BFA 2020-2024
Criticism & Curatorial Practice Major, Gender & Sexuality Studies, Minor

Mexican Institute of Curatorial & Restoration Practices

Mexico, Mexico City. Museology Discourse Certificate. 2022



AVECES
    CIERRO MIS OJITOS Y PIENSO Y PIENSO EN LO MUCHO QUE LO MEREZCO.
234—5645